Gone, bit by bit

Books and photos and stuff … oh, my!

Susan Caba
The Resale Evangelista

I had reason yesterday to look under my couch with a flashlight. Tip to anyone inclined to do the same: Don’t. Under no circumstances should you look under your couch more than twice a year. Especially not with a flashlight.

The beam of light revealed a harsh landscape of down feathers, dust and various unidentified crumb-y looking things on the hardwood floor. No dead bugs, dirty socks or other major debris, so that was a plus. No money, either—a negative. Anyway, I was looking for my cat, whose tortoise-shell coloring provided the perfect camouflage for hiding under the sofa.

Normally, I clean house only when I’ve exhausted all other forms of procrastination. I do make my bed every day. Whoo-hoo! Lately though, I’ve taken an incremental approach to housekeeping.Not a room at a time, that’s too much commitment. I do just as much as I can, then quit. Doesn’t matter if I’ve dusted but haven’t vacuumed. Next time.

I’ve found cleaning takes a lot less time this way and, overall, the apartment is generally cleaner than under my previous system. The old way, in which I aspired to clean a room at a time or the whole place, took way too long. Mainly because of my need to notice the place was dirty, deny the place was dirty, anguish over my sloth, go out and buy new cleaning supplies, and even, in extreme circumstances, sit down and write something. Then I got around to cleaning—maybe.

This incremental thing doesn’t come easily. I’m definitely an instant gratification gal. It has been said—infrequently, mind you—that I have the attention span of a flea. As a kid, I didn’t mind cleaning the kitchen because, with seven kids using the kitchen, the mess made it easy to see progress. Although it really burned me up if, while I was cleaning, someone came in and started making a peanut butter sandwich or poured a glass of milk. Any progress I’d made was spoiled.

Finally, I’ve realized that, yes, progress can be made inch by inch. Incrementalism works in writing (though a deadline really helps). It worked for me in building an art collection over the last several decades, one flea market or thrift shop find at a time. I’ve heard it works in creating an exercise habit, or losing weight, though I can’t testify to that. And it works in getting rid of stuff.

Storage locker bound

The number of my possessions, compared to three years ago, is significantly reduced. It took me two years, but I finally condensed the contents of a three bedroom house with a full basement and a double garage to one ten-by-ten storage locker. (Alright, there was another, smaller locker for a brief time.) I now live in a two-bedroom apartment. Besides the ample closets and cupboards, the only additional storage space is the shower–yes, the shower–in the second bathroom.

Last week, I tackled the shower storage. I need a place for the cat box, so the shower has to be cleared. Besides various boxes of books, it contains two tennis rackets, a basket of tennis balls, a large stuffed Steiff bear that converts to a rock-a-bear, a plastic bin that I believe contains tools (too soon to tell, it’s at the bottom of a stack) and two sets of diving fins, goggles and snorkels, which I bought at Goodwill, intending to sell. (I don’t do that anymore. At least, not much.) Oh, and a box of Max’s children’s books, which I kept, as well as a box of his comic books, which he chose for me to keep.

The bad thing about incrementalism is that it creates temporary disarray, which can easily turn permanent. In order to empty the shower and get rid of stuff, I have to take that stuff out of the shower. I’m doing it a box or two at a time.

Goodbye volleyball & comics!

So far, the diving gear, a shower rack and some books have gone to Goodwill. The comics and a signed volleyball will soon be reunited with their rightful owner.

As regular readers know, my number one rule for streamlining and creating a more artful life is this: If you think you are ever going to move—or die—start now! If you do that, the good news is that you don’t have to do it all at once.

When I was a kid, one of seven ages 1 to 12 years, my mother had a cleaning lady who came in twice a week to restore order in the house. My mother would leave her with the kids and return to find the house clean. Once I heard her ask, “Mary, how do you do it?” Her answer was maybe my first lesson in incrementalism: “Honey, I just start.”

So I’ve started on the storage shower, disposing or dispensing of its contents. Good thing, too. Because when I was searching for the cat, I had to look under the beds. And you wouldn’t believe how much stuff was packed beneath them!

Marla, the disappearing cat

The Resale Evangelista is simplifying, clarifying and trying to live a more artful life. She’s saying Goodbye to All That Stuff (well, a lot of it) in the process.

Related: letting go…of “stuff” Don’t wait–simplify now! Boot Camp!

Earth Day Fast Approaching

Earth Day Celebration
&
Walk-4-Life Resilience
April 22 , 2017
4 p.m. until 8 p.m.
Hopkins Green, Lexington
corner of Jefferson & Nelson

 

The power of pollinators!  
Bees, trees and native plants—they’re not just beautiful, they make the world go ‘round. Look into a honeybee hive, and learn to attract them to your garden.
Reduce your carbon footprint!
Is your ecological footprint bigger than it should be? Take a quiz & find out, then look at actions you can take RIGHT NOW to reduce the mark you make.
Get your signs on!
Walk, bike or skateboard to Earth Day (only if you want to!) to demonstrate a low-carbon lifestyle that addresses climate & environmental issues. Invite friends, wear green & carry signs to show you care! (But don’t block the roadway.)
Kids activities, too!
“Seed bombs,” sign-making, parade & more

Boot Camp!

Snowy days, reflections & free time

yield memories of things outgrown

SusanCaba
The Resale Evangelista

Housebound by snowstorm Stella and disinclined to wield a shovel against the cold confection piled like meringue across her driveway, poet Sarah Freligh chose, instead, to fight the weather with words.

She challenged fellow writers on Facebook to a Snow Day Boot Camp: “Make a list of things you’ve outgrown,” she wrote. “Start with concrete objects like jeans, bras, and pencil skirts, then move to the more abstract—mean friends, bad habits, worrying about how your hair looks in Wegmans. Then write a poem/flash fiction or nonfiction that follows your list—what you’ve outgrown, what you can feel yourself outgrowing.”

To add aerobic intensity, Sarah set a deadline—30 minutes. Other than shoveling snow, there’s nothing like a deadline to get the heart pounding.

The challenge—things you’ve outgrown or are outgrowing—was a natural for Resale Evangelista. We’re all about simplifying and clarifying to create a more artful life. Most of the time, that means recognizing what is no longer needed and throwing it overboard. Sounds simple, but it’s not.

The author and her mother, each after their First Communion, 50 years apart.

I tuned in late, so had nothing to contribute. But many others did, and the results were striking—fond farewells to everything from patent leather First Communion shoes to grateful goodbyes to the miseries of youth, like this from Julie Mellen Damerell:

submerged in snow, remembering
white patent leather shoes I wore for my First Communion
the day Grandma gave me the gold watch I lost in a year

that tan and white shift with matching coat I wore to Easter mass
not knowing Grandma’s money would not buy Sunday dress again

those three-inch heels I wore to prom and the sprained ankle

red and white checked bell bottoms I sweated in at the pool party
too embarrassed by my thirteen year old body in a bathing suit

buried in all that white, fear that I would not have a thirteen-yea old body
or hope that heels, a matching coat, or bell bottoms would make me
good enough

Outgrowing the angst as well as the ankle socks

Sarah Freligh is the award-winning author of two books of poetry, Sort of Gone (2008, Turning Point Books) and Sad Math (2015, Moon City Press), winner of—among other accolades—the 2015 Moon City Poetry Award. She’s a former sportswriter and colleague of mine at the Philadelphia Inquirer, now teaching creative writing at St. John Fisher College in Rochester, N.Y.—a city which is always a contender in the annual ranking of snowiest U.S. cities. One learns that the necessities of life in Rochester include lap-cats, wine or hot chocolate (depending on whether it’s before noon or not), and something to keep the mind from slipping into a snow-glare  daze. Hence, Sarah’s impromptu Boot Camp for writers. She was feeling magnanimous, so she extended the usual 12 minutes to a full half-hour.

The great thing about this snow day concept—Things I’ve Outgrown—is its acknowledgment of emotional as well as physical mementos of the past. The parallels to editing our surroundings are inescapable. There are emotional costs and benefits—sometimes both—when you decide, or are forced, to pitch a bit of history: furniture imbued with fond memories, valued or valuable detritus from failed relationships, books associated with a certain time of life, a treasured tidbit from childhood.

Poet Jessica Cuello, author of Pricking (2016, Tiger Bark Press) and Hunt, winner of the 2016 Washington Prize from The Word Works (as well as other prizes, awards and fellowships), captured that mix of things and emotions lost or outgrown, starting from childhood.

Little Lulu with the stitches
where my brother bit her foot off,
the banana seat bike.
The Little Nutshell Library: “There once was a boy
named Pierre who only would say I don’t care.”
The key to the 4th grade diary. The diary.
The cut out obituaries.
The track ribbons. The letters
back and forth where I lost my best friend (No,
not those yet.) The journals from each year—
shame written in them.
The nursing pump, The Boppy, the kids’ art pieces
that must be thrown out secretly.
My appendix, mole on my breast,
my windpipe, esophagus,
left hand from grading, dinner with my mother,
mortgage, teaching roster,
responsibilities, body.

 Speed-writing lets hidden feelings leak

One of my favorite quotes (not to mention one of the few I can remember) is from Douglas Adams, author of The Hitchhiker’s Guide to the Universe:  “I love deadlines. I like the whooshing sound they make as they fly by.” I bring it up because, as I said, I appreciate the forced-march nature of a deadline. You have to think fast, but not too deep. Paradoxically, the speed sometimes uncovers a thought or feeling you couldn’t capture if you were thinking too much or too long. There’s always time to refine later.

This may sound crazy, but you could take the same approach to your linen closet or tee-shirt drawer. Fifteen minutes, no stopping to consider whether the excess towels should be saved for summer beach visits, or if the shirt from the first Rolling Stones retirement tour really is a piece of history. Pitch it, move on. Unlike the snow day writing assignment, you could have a buddy on hand to intervene when you hesitate over the well-worn baseball cap that reminds you of your first love.

Another striking thing about the flash-art that came out of the Snow Day Boot Camp is the sense of place and time evoked by the writers. Sarah Cedeño has lived in Brockport, N.Y., her whole life. She described her childhood in an interview with the Missouri Review: “I spent a lot of time in my parents’ back yard growing up, digging up potato bugs and playing with poisonous berries.  We didn’t vacation.  I didn’t do summer camp.  I made friends with two girls who went to the church across the street from my parents’ house when I got bored of my best friend, who lived next door.”

I so remember that kind of childhood. I don’t know how she managed, in 30 minutes, to convey both the placid beauty of that small town life and the occasional frustrating limitations, in this, her Boot Camp memory:

I’d outgrown my childhood playhouse years before. I watched it dismantled when I was in college: my father, with a hammer, while my cousin’s husband and his twin daughters watched, ready to rebuild in their own yard. Me, I was up the hill at the kitchen window—counting it all: the plywood, the shingles, the sign that said “Sarah’s Place” in rainbow font, the rainbow font like a fantasy.

I’ve outgrown a toy chest I used to hide in on the front porch with Hulk Hogan and Godzilla, Barbie and Gumby, the crayons I wrote my name with above our doorbell, that humid, screened-in space between home and not. And my sister’s hand-me-downs, shrunken and pale with too many washings. Wine coolers in flavors like raspberry dazzle and chillin’ cherry. I’ve outgrown beer that isn’t pretentious.

I’ve outgrown straightening my hair on the regular, dying my hair lighter or darker or red, fingernail polish in any shade. I’ve outgrown time like I have (outgrown)  four identical pairs of leather boots and about a million dreams, I’ve outgrown silence and a well-placed smile over my open mouth.

My skin has become tight, and whoever said you grow into yourself is full of shit— I grew through my own skin, and some mornings I want to rip and run out of it, but the sidewalks are too short and the road too long.

I didn’t start out to compare the process of a writing boot camp with the process of simplifying and clarifying life through the act of decluttering or downsizing—I thought this post would be all about the content. But it seems a natural fit. And I’m not the only one who noticed. One of the last comments on Sarah’s FB post came from Barbara Hammon.

“OMG!!,” she wrote. “I’m too late to play, but only because I was cleaning out my pantry and disposing of homemade pickles from ’02, cans of soup my past boyfriend bought (I don’t eat canned soup and he’s been gone almost 3 years), and multiple unrecognizable stuff. My pantry is cleaned and reorganized and ready to face the next decade. One room at a time.”

“So,” Sarah replied. “You did do the prompt.”

The Resale Evangelista is simplifying, clarifying and trying to live a more artful life. That often requires recognizing what you’ve outgrown and need to pitch, to make room for something else–maybe even just space! I’d love to hear what you’ve decided you’ve outgrown. Or maybe there’s something you suspect you may never outgrow? 

Cary Grant’s house

Damn, another bargain got away!

The former home of ever-debonair actor Cary Grant recently sold and I hadn’t even known it was available. Never mind that it’s 5,200 square feet and cost $3.4 million. I would have liked to have a shot at it!

 

Ditch my books? Oh, no!

By Susan Caba
The Resale Evangelista

A little free library on Grove Lane in Santa Barbara

Books. Among the people I know, books are the hardest possessions to get rid of when editing their possessions. Even using the phrase “get rid of” seems too harsh when it comes to books—sort of like murdering a friend.

Books hold memories beyond their own contents—memories of when, where and why you read them, how their content reflected your life at the time, what adventures they prompted and the disasters that may have ensued. Our most-loved books, or at least mine, have aged along with me, acquiring wrinkles, creases, rips and stains inflicted by a well-read life.

I have a small box of outdated tourist guides that are more potent mementos of my travels than the now long-forgotten souvenirs I lugged home from Greece (Greece on $5 A Day—now there’s a throwback to another era!), Brazil, Calcutta or Peru. No doubt their information is useless but merely riffling through their pages prompt images of folk dancing on the beach in Mykonos, shopping a flea market in Buenos Aires, or photographing a rickshaw driver in repose in Calcutta.

Some books evoke particular eras of my life. I can think of three examples that turn back the years each time I catch a glimpse of their covers: Doris Lessing’s The Golden Notebook taught me to deal with a life issue, tie it in a package and tuck it under the eaves of my brain’s attic—not gone, not forgotten but no longer possessing the power to interrupt my dreams. I read The Women’s Room, by Marge Piercy, in college and know it influenced my feminist persona. I still long to wander the United States on the Blue Highways described by William Least Heat Moon, discovering “three-calendar” country diners, eavesdropping on insights of the local denizens.

I may be part of the last generation with an attachment to physical books; my son sells them back to Amazon as soon as he finishes reading them (sometimes he does regret this). I guess I’ll get used to it—after all, I’m probably among the last to have grown up with three channels on the television (not to mention the revolving dial and, later, the wired remote).

Still, some books don’t rate room on the bookshelf—some never even make it past the bedside table. In my case, those are the novels that, once read, go right back to Goodwill or the Salvation Army. But for those books that may be more difficult to part with, here are a half-dozen ideas for placing them in new homes:

• Set up a Little Free Library. This charming “take one, leave one” book-sharing movement zoomed from a one-man tribute to his book-loving mother in 2009 to an international phenomenon, with more than 32,000 Little Free Libraries throughout the U.S. and countries from India to Italy. The idea is simple: Erect a book box on a stand curbside, place your adoptable books inside and invite passersby to take a book—free—and leave one, if they are so inclined. I once left an 24-inch plastic brontosaurus on top of the Little Library in my neighborhood, knowing it would find a good home. Building a Little Free Library is a great project for kids, too.
• Donate to a school or college. This is a particularly good option if you have a topic-specific collection of books. The director of a Stanford University journalism fellowship program winnowed his extensive library by donating to a nearby community college. No need to aim for Harvard University or Berkeley. Nearby community colleges and high schools would probably welcome books related to their programs, such as journalism, design, construction or historic preservation. If you have children’s books, find an age-appropriate local school and see if any teachers want books for their classroom.

• Seek out collectors. If you have a narrowly focused collection—on history books, cook books, atlases or some other specialty—find others who collect on the same topic. You may have a rare book and not even know it. When I sold my house in St. Louis, I took a bunch of books to The Miriam Switching Post, one of my favorite non-profit shops. The great thing about the Miriam shop is they provide year-end, itemized lists of your donations for tax purposes. I was perusing my list when I noticed this item: Two books, value $460. What!? The titles were specified but the individual values were–one for $340 and the other for $120. I have no idea what these were and I for sure never spent that much on a book! Probably there were decorative books I picked up for a few dollars to use as platforms for a lamp. At any rate, someone at the Miriam Shop researched their value. At first, I was aggravated that I didn’t do that myself. Then I realized I never would have done that, would also never have found someone to buy them. The tax credit was great, though. If you think you have books like that, advertise on Craig’s List, check websites like The Book Collector or look at the ads in publications such as  First, The Book Collector’s Magazine. Be very, very careful with this option–I sense their are some among us who could be lured into a new collecting habit. You know who you are.
• Sell them—in bulk, if possible.  If you have a lot of books with no particular pedigree, call local second-hand book sellers and see if they will buy the whole lot for a single price. If you are having a garage sale, books usually sell relatively well. Just don’t expect to get anything more than a pittance for most—and resolve to banish any that don’t sell to your local thrift shop. Remember, the idea is to get rid of the books. Price ‘em low, to encourage everyone to buy an armload.
  

  Dictionaries gather dust in thrift shops but are prized by prisoners

• Give them to prisoners. The Prison Book Program is a grassroots organization founded in 1972 to send free books to prisoners. The website points out that most prisons don’t allow family or friends to send books to prisoners–they must come from a bookstore or publisher (the old hollow-out-the-book-to-hold-something-illicit problem). The Prison Book Program is affiliated with a bookstore and gets books from many different sources, to serve thousands of prisoners each year. The website includes links to local Books for Prisoners programs, to cut the cost of shipping. While the organization delivers books on many subjects and genres (see the list on their site), there is high demand for two types in particular: Basic legal information and dictionaries. They even have a special program to purchase dictionaries in bulk. (I’m so tempted to visit a thrift shop I know of that is over-stocked with dictionaries, I suppose because anyone with access to Spellcheck doesn’t need them.) Unfortunately but understandably, there are restrictions on some books–no books with a spiral cover, no writing in the margins, no children’s books, nothing with weapons on the cover, no chic-lit, romance or (obviously) true crime. No travel guides, either.
• Goodwill, of course.

 

The Resale Evangelista is simplifying, clarifying and trying to live a more artful life. She’s saying Goodbye to All That Stuff (well, a lot of it) in the process.

Have a Holly, Jolly Christmas, Everyone!

By Susan Caba
The Resale Evangelista

Hello from Hilo, Hawaii–via Jim Selzer’s photograph of this snazzy Mustang in the Parade of Lights. I’m hoping he makes it into a Christmas Card we can buy (hint, Jim, hint!)

IN CASE YOU’RE A LITTLE ON THE GRINCH-Y SIDE, HERE’S SOME ADVICE FROM THAT SCRUNCHED UP GREEN GUY: MOAN EARLY AND OFTEN. MOAN ABOUT THE PRESENTS. MOAN ABOUT HOW RIDICULOUS EVERYTHING IS. REMEMBER, BAD CHRISTMASES ARE WAY MORE MEMORABLE THAN GOOD ONES.

A few tips, in case you don’t have time for the whole article by Guardian columnist Suzanne Moore:

• If something isn’t a cheese straw (or, in the U.S. a cheese ball), no one cares.
• Is it sensible to put a lot of people who don’t really like each other (relatives) into a small space and fuel them with booze and other flammable humans? No.
• The average Christmas dinner contains 8,000 calories. That is the entire point.
• Christmas is the time to bring home all kinds of failure: bad relationships, unwanted childlessness, separation – every imperfection can be amplified.
• Tweet and post pictures with abandon. Your Christmas should be both the same as everyone else’s while obviously being better. Flaunt it–this is what social media is for.
• Don’t aim for perfection. Muddling through is good enough.

 

The Resale Evangelista wishes you an artful Christmas, filled with all the familial mess and drama you can muster and/or tolerate!  Heh, heh, heh.

DIY bathroom morphs from drab to bright

Creativity transforms gray days & beige bathroom

By Susan Caba
The Resale Evangelista

The half-bath was serviceable but ugly, tucked as it was into a former closet and cloaked in beige from linoleum floor to slanted ceiling. My spirits suffered from the same condition, the comedown from my son’s wedding, a scarcity of work and congestive car failure.

The bathroom needed to be tackled–not to mention, spackled.

The too-beige half-bath

The Lowe’s team came in and installed a new  floor, in a pattern woven of gray, black and white ceramic tiles. They took away the yellow toilet (with a cushioned seat, no less) and hung a tiny sink. The rest, dear readers, was up to me and my sidekick, homeowner and slave-driver Susan Rowe.

Now, this would seem to be a post about faux painting and DIY bathroom decoration. And it is, on one level. But it occurred to me, when the project was complete, that it’s also about the restorative power of creativity to lift the spirit when times are bleak. More about that in a little bit. Now back to the bathroom project.

I wrested the old toilet paper holder off the wall, crumbling some of the plaster down to the lath. No amount of patching and spackling–at least no amount I was willing to undertake–would smooth away the age lines of the roughened walls. And there was a lot of wall for such a small space, just 3 feet wide and 8 feet deep, with tall ceilings. The walls were divided horizontally by a chair rail.

We decided on a gray for the lower half of the walls. The Lowe’s guy, a former painter, suggested “Popular Gray” or “Amazing Gray” by Sherwin Williams. You gotta love those names, so easy to remember. Going for a classic color combo, we agreed on sunshine-y yellow for the upper walls and bright white for the trim.

But what about those wall scars, especially on the lower half? And gray? With 32 square feet of wall space on each side, the result could resemble a dimly lit air raid shelter. The solution popped into my head as I fell asleep that night—texture, we needed texture. That would break up the expansiveness of the walls and hide the roughness.

Is this an improvement? Maybe not!

Susan and I decided to single-handedly revive the apparently dying trend of faux painting. (We assume it’s a dying art because the clerk at the Sherwin Williams store tartly informed us that “We don’t do faux painting,” when we inquired about supplies. And even Lowe’s didn’t have the array of sponges and glazes that were typical until recently.)

We eschewed professional tools and made do with Saran Wrap for the sponging and regular eggshell latex paint for the surface color. (I won’t go into technique—check YouTube here and especially here for better instructions than I could give—but don’t use cling wrap. It goes limp too quickly.) We also decided against shades of gray (50 or otherwise) for the colors—too cold, too monotonous. We chose light putty, a medium green, a dark gravel color and the yellow from the upper half.

A day later, the lower walls resembled camouflage. Even after patting on the final layer of green, I had serious doubts about the outcome. The undercoats didn’t seem to be showing through the top layer—“We should have used glaze,” I thought. Susan, though, was enthusiastic. “It looks like expensive wallpaper,” she declared. (Susan is from Georgia, she’s entitled to “declare.”) When the top coat dried, I saw she was right—the layers beneath peeked through just enough to look like distressed  plaster.

The trim went quickly. The mirror was hung, the new toilet paper holder attached, towels and artwork went up and—voila—the ugly half-bath had morphed into a cheery little jewel box. Susan and I took turns exclaiming how great it looked. The best reaction came later, when her twenty-something son—unaware of our efforts—opened the door. From the kitchen, we heard “Whoa! What happened here?” Oh no, something must have fallen!  But he was just taken aback by the transformation. His “whoa!” was high praise from someone not often inclined to offer effusive praise.

Transformation complete!

The real value to me occurred a few mornings later, when I woke up feeling blue about a lack of work and worried about the slow expiration of my faithful Subaru. My psyche was a pastiche of Popular Gray and Amazing Gray, streaked with shades of Charcoal. The world was not a sunny place for someone as untalented and powerless as I felt.

But then I thought about the bathroom. It came out pretty near perfect, because I focused on making it so. That’s what Resale Evangelista is about—creating beauty and value, even when resources are slim. I got out of bed with a little more faith in my creativity.

Ah-ha, I thought, so that’s what hobbies can be about—exercising the creativity muscle for the sole pleasure of accomplishment. That’s a thought I’m going to remember, and put into operation more often and not just when I need to chase away the gray and beige.

The Resale Evangelista is simplifying, clarifying and trying to live a more artful life. Sometimes that requires cutting through the fog to see the light behind the clouds. 

 

Plush touch for the tush

By Susan Caba
The Resale Evangelista

Dammit! I just discovered I bought cheap toilet paper. And by cheap, I mean flimsy—see-through-it flimsy.

I don’t like flimsy toilet paper. (Don’t worry, no graphic details ahead. And, oh my God, don’t read the first sentence of the Wikipedia entry on toilet paper!) I like thick, cushiony toilet paper. White, preferably with those embossed stripes.

Toilet paper comes in one-ply all the way up to six-ply, just like cashmere. And just like that lovely, soft and strong material, multi-ply toilet paper is softer, stronger and, as a practical aside, more absorbent. I like the feel of it—in my hand—better than the thin stuff. I deserve, and can afford, the luxury of good toilet paper.

You may be wondering what the quality of toilet paper has to do with living an artful life. Well, we all have our quirks and preferences, the little things we notice in our daily routines. One of them is soft toilet paper. It’s not like I notice when it’s good–I just don’t like it when it’s bad. 

Would that I had stopped with that thought, rather than deciding to write a bright little blog post. If only I hadn’t felt the need to Google toilet paper history. And why wasn’t I satisfied with the perfectly acceptable bits of information in the Wikipedia post—the first hit of 7.2 million on the topic of toilet paper history?

Are you a wadder or a folder?

As a result of that idle observation and my subsequent, too-extensive web-surfing, I can now tell you:

• Americans buy more than seven billion rolls of toilet paper every year. Each of uses an average of 23.6 rolls every year, according to the Cottenelle Roll Poll as reported by the Toilet Paper Encyclopedia. Americans use 50 percent more toilet paper than people in other Western countries and Japan. (According to The Guardian, the British use 110 roll per person each year–but I bet they aren’t buying the jumbo rolls.)
• If stranded on a desert island with only one item, 49 percent of those surveyed would take toilet paper. Not food, toilet paper. Really.
• The answer to that age-old question, over or under, is overwhelmingly in favor of over—72 percent over, 28 percent under.
• And here’s a factoid to drop at your next gathering: 40 percent of people wad their toilet paper before using, 40 percent fold, and 20 percent wrap it. Men tend toward folding while women prefer wadding.

My toilet paper musings brought back memories. I remembered the trip I took to Europe after high school and the rough brown paper squares dispensed in European bathrooms.

I remembered when my son’s girlfriend and her pals tissued-bombed the fir tree outside our front door. Some of those girls had quite the arm—toilet paper streamers hung from branches 20 feet up. Half-unspooled rolls littered the ground like pinecones. “Their mothers will kill them when they find out all this toilet paper is missing,” I thought, as I filled a grocery bag with usable rolls.

Put a bow on it

And Mr. Wipple—I despised those iconic commercials. He was always lurking around the paper goods aisle, accosting customers as they squeezed the Charmin.  These days, I dare say, he would be branded a perv-y stalker. Because of Mr. Whipple, I will not, to this day, buy Charmin.

I  don’t buy toilet paper with printed patterns, either. In this I am a minimalist. Nor do I fold the loose ends into a triangle—or a paper swan, a leaf or a bird on a tree. Yes, folks, your can origami your toilet paper to make an elegant statement in the bathroom. There’s even a name for this artform: toilegami.

If you’re really interested (and if so, you have waaaay too much time on your hands) download free directions for these toilet paper confections from the Origami Resource Center. After all, says the website author, “If you are going to sit for a long time, why not fold an origami flapping bird with toilet paper?” Yes, why not? 

Who knew? Greenpeace has a TP policy

Did you know—I’ll bet you didn’t!—there are four categories of toilet paper: Super
Premium, Premium, Regular and Economy. The difference between soft, thick toilet paper and the flimsy stuff is the mix of wood and recycled materials in the paper. The more wood fibers, the fluffier the toilet paper. Eighty-four percent of American households buy premium or super premium. I blame Mr. Whipple.

So now we come to a moral dilemma. Believe me, if I knew my idle thought would lead to moral ambiguity, I never would have started this post.

Really soft toilet paper is bad for the environment. Greenpeace, the environmental activist organization, says Americans’ pickiness about toilet paper is contributing to deforestation, global warming, harm to indigenous peoples and extinction of endangered species. Virgin forests are being ravished to make toilet paper.

We should be buying paper made with a high percentage of recycled pulp, according to Greenpeace. In Europe and Latin America, about 20 percent of households use toilet paper with recycled content. The rate is about half that in the U.S. Singer Sheryl Crow suggests using just one square of toilet paper per bathroom visit. Uh, no.

Next thing you know, toilet paper will be labelled with its carbon footprint. Oh, wait a minute, that’s already happening.  Proctor Gamble and Kimberly Clark are duking it out in California for a low rating by the state’s Air Resources Board, based on greenhouse gases emitted during manufacture–balanced by absorbency that, I guess, makes the finished product more efficient. A British company has determined that a sheet of TP made with recycled pulp uses 1.1g of carbon to manufacture compared to 1.8g for paper made with 100 percent wood pulp.

So there’s my dilemma, soft on the tush or hard on the environment? 

The Resale Evangelista is simplifying, clarifying and trying to live a more artful life. She’s going to try not to think too much about toilet paper. There must be easier ways to reduce her carbon footprint!

Breaking up is hard to do…

Image from the Museum of Broken Relationships, Los Angeles

Not to mention, getting rid of the mementos left behind!

By Susan Caba
The Resale Evangelista

What do you do with the detritus–or cherished mementos–of lost love?

Sure, you can burn the wedding photos, toss left-behind t-shirts that still smell of your lover, donate the books once read together to charity. But what about the most intimate symbols of your intense love or overwhelming heartbreak–the things that demand a more dramatic gesture to mark the end of the relationship?

I’ve just discovered the solution–the  Museum of Broken Relationships in Los Angeles. Opened just last year, it is already the repository for, among other keepsakes, silicon breast implants that–once removed–signified freedom to their previous owner (wearer? implantee?); a blue dinosaur pinata that was one lover’s first birthday gift to another, and a piece of belly button lint preserved in a small plastic bag.

The label on the lint reads: “D’s stomach had a particular arrangement of body hair that made his belly button prone to collecting lint. Occasionally, he’d extract a piece and stick it to my body, sweaty after sex. One day … I met his oddity with my own; I put the lint in a small bag and concealed it away in the drawer of my bedside table.”

Love is strange.

The original Museum of Broken Relationships was opened in Zagreb in 2010, established by two Croatian artists who decided to celebrate their love affair, according to a delightful article in The Guardian. Los Angeles lawyer John B. Quinn was captivated by the emotions stirred by the exhibits in Zagreb and decided to open a local branch in the home of a bankrupt Hollywood Boulevard lingerie shop, formerly decorated with leopard-print carpet and red velvet dressing rooms. Donations were solicited with an ad that read:  “Unburden the emotional load. Don’t throw away the debris of your romantic exploits – give it to us.”

 The everyday objects on exhibit are given meaning by the brief explanations that accompany each item. They permit “a voyeuristic glimpse into a very private realm,” writes Guardian contributor  Paul Laity.

The texts, wrote Laity, have a compressed power a bit like a short story.  “I spent an entire summer making this birthday present, and he left it in my car”; or “You … did not want to sleep with me. I realized how much you loved me only after you died of Aids”. Some are little narratives of failed promise: “We met at a bar in NY; I lived in LA. 3 drinks, 2 poems, 1 walk later, we had sex on his friend’s couch … We saw the northern lights, but they were not as bright and vibrant as we thought they would be.”

Not every item memorializes lost romantic love. One of the most heartbreaking is a fake gold charm bracelet that once belonged to a daughter abandoned by her father–a souvenir from what she said was the best and the worst holiday of her life.  “Disney World 1977. You stood at the entrance and promised to bring us back there one day. Mum told you not to make promises you can’t keep. I have given up trying to make sense of your rejection of your two little girls.”

Image from the Museum of Broken Relationships, Los Angeles

Can you imagine how cathartic it must be to boil a broken heart into a few words attached to a small object, then mailed to the Museum of Broken Relationships? Talk about clarifying and simplifying! And yes, the museum does accept donations.

I can’t think of a better resting place for these objects–things that we all, no doubt, are harboring with the knowledge that they deserve a dignified disposal, a metaphoric Viking funeral.

The Museum of Broken Relationships, Facebook is at 6751 Hollywood Boulevard, Los Angeles, California.

 

The Resale Evangelista is simplifying, clarifying and trying to live a more artful life. Sometimes that includes getting rid of emotional, as well as physical clutter!

 

The girlfriends-power house remake, Pt 1

A buffet makes a statement,

sparks redecorating frenzy

By Susan Caba
The Resale Evangelista

I only wish I had taken “before” photos of my friend Susan Rowe’s living room and dining room before we redecorated–the transformation is that dramatic.

The oak buffet that kicked off a make-over

And we did almost all of it with things Susan already had. That’s a lesson in looking at what you have–shopping your own house. When you do, you often get a clarified sense of your own taste. You notice the commonalities of color, pattern and style preferences. When you pull together items that, for one reason or another, have been scattered throughout the house, you’re rewarded–as Susan was–with a impact much bigger than the effort to make it happen.

A description of Susan’s downstairs, pre-makeover will have to suffice. The last time she redecorated, she was going for a monochromatic neutral look. The rugs in both the living and dining rooms were pale gray-on-white patterns. The window treatments in both rooms were Roman shades in a nubby cream, with sheer half-curtains below for privacy. Threads of orange and khaki in both materials were the only colorful accents. Both the sofa and love seat were off-white, rolled-arm, tufted back pieces. There was an upright piano in one corner of the living room, a contemporary black desk in another, along with a random armchair.

The walls in both rooms were painted a creamy neutral. Photos of Susan’s two kids were plentiful, both on walls and almost every surface. Small paintings by her father were a little hard to see, as they were hung too high or in out-of-the-way corners. Lamps, I am sorry to say, were too-few and in sad condition. You know how it goes–you decorate or redecorate, get consumed in work while raising your kids and volunteering at church and pretty soon, twenty years have passed. That once-fresh decorating is dated and possibly faded!

What does it take to get started? Time, for one thing. And a buddy, for sure. Having someone else along for the ride, at least at first, makes all that decision-making (where do I put the sofa, should I make curtains–or take a nap) much easier. Susan’s decorating streak burned brightly for several months after our mission in the living room and dining room was complete.

Susan’s  house is beautiful, with hardwood floors, pocket doors, a big bay window and elaborate mantels over the fireplaces, one in each room. The dining room mantel includes built-in glass cabinets. Like most of us, Susan had acquired and accumulated knick-knacks and decorative items that crowded the cabinets and almost every surface.

Susan opened her own law practice, working from home. The two kids are grown, graduated and out of the house. All of a sudden, she had time to look around and make changes. And boy, did she!

 

The dining room got a new, Craftsman-style carpet, new seat cushions and a decorative valance over the window. Susan loves sunflowers and keeps a bunch in a vintage green glass pitcher that was just a few dollars at Goodwill.

I don’t know where she got the courage, but she ordered a massive Mission-oak side board for the dining room on eBay. When I arrived, it was shrouded in cardboard, awaiting placement in the dining room. The designated space was occupied by a much smaller buffet. My first night there, I was up late so I tore apart the cardboard shroud and moved the sideboard into place. It looked magnificent, perfectly scaled to the room. That was the start of our decorating frenzy.

The final results are pictured above. With the new buffet in place, and the old one on a more appropriately sized wall, we rehung the art. You can’t see it because of the reflections in the glass, but the piece at the far end of the room is a Japan-esy abstract of leaves floating on a lake. We took four of the largest formal portraits on the Susan and Ross’s children, and grouped them above the buffet–which created a much bigger impact. The antique lamps on the new buffet belonged to Susan’s grandmother (we found them in the basement) and the big pottery platter was purchased during a visit to North Carolina. Susan had the antique gas lighting fixture–original to the house–rewired and placed on a dimmer switch.

We cleared the clutter out of the mantel shelves and hung decorative plates above.

Textiles made the biggest difference in the look of the dining room. After a long online search, we settled on the geometric rug from Lowe’s. We saw a lot that were more elaborate or more striking–but also more expensive. This rug, as I recall was around $200. Susan and her friend Barb Montgomery recovered the dining room chairs with fabric we also used to make Roman shades in the living room. The two of them also made valances from a different but coordinating fabric over the dining room windows. Susan later used that material to make accent pillows for a couple of chairs.

The takeaways

• The big, beautiful buffet provided a huge focus for the room. We balanced it’s heft at the end of the room with the smaller buffet, topped by a large piece of art.
• The Craftsman-style rug is stylistically compatible with the quarter-sawn-oak, Craftsman buffet.
• The colors of the rug, the window valances and the chair covers complement one another without being “matchy-matchy.” The fact that the chair covers are the same fabric as the Roman shades in the living room, and that there are living room accent pillows out of the valence material in the dining room, pulls those adjoining rooms together into a relationship.
• The shape and size of art work matters almost as much as the subject matter. Grouping the portraits together made them more “important” than when they were hung singly. The size of the print over the other buffet gave that wall enough heft to balance the bigger buffet, as well as the elaborate fireplace that takes up the wall to the left of the table.

The Resale Evangelista is all about simplifying and clarifying while creating a more artful life. A beautiful house that reflects who we are is one way of making life more artful–and it doesn’t have to cost much. Next up, a look at Susan’s redecorated living room, as well as a before and after post about  her revitalized garden.